For the last 16 years, the True/False Film Festival has challenged the way audiences think of documentary filmmaking, but it’s also reshaped expectations for the film-festival experience as a whole. Immersive art installations, a live game show, and the “March... Read more
The Best Films of 2018: The Roundtable
After publishing their individual “Best Films of 2018” lists in late December, the Lens critics began a spirited discussion via email on the state of cinema in 2018, and... Read more
The Best Films of 2018: The Lists
Although the calendar year is an admittedly arbitrary framework for the discussion of cinema, when the end of December approaches, even the most high-minded writer is usually compelled to look back on the past 12 months and catalog their favorite films. (List-... Read more
SLIFF Spotlight: 'I Am Not a Witch'
Throughout the 27th Annual Whitaker St. Louis International Film Festival (SLIFF), the writers at the Lens will be spotlighting their favorite narrative and documentary films on this year's festival schedule. Each day, our critics will discuss can't-miss... Read more
Review: 'Can You Ever Forgive Me?'
In today’s New York, West Village is one of the city’s most expensive neighborhoods. It wasn’t always that way, as Marielle Heller’s new film, Can You Ever Forgive Me?, will remind audiences. This is the neighborhood where the Stonewall riots took place,... Read more
Review: 'We the Animals'
In queer film studies, one must accept that the definition of the central concept of interest — “queerness” — is perpetually in flux. It simply gestures toward meaning and is not confined to the same empirical categories that are associated with “gay” and “lesbian... Read more