Joshua Ray

A still from 'McQueen'.

Review: 'McQueen'

For those already familiar with the well-publicized life and highly regarded work of Alexander McQueen, there’s nothing revelatory in Ian Bonhôte and Peter Ettedgui’s McQueen. The biographical documentary — that most popular of nonfiction subgenres — ... Read more

Review: 'Don't Worry, He Won't Get Far on Foot'

Gus Van Sant has always been somewhat of an experimental filmmaker, working both in and just outside of Hollywood. He ascended into the ranks of vital indie filmmakers as a member of the New Queer Cinema movement with features like Mala Noche (1986), ... Read more

Ranked: Dario Argento

The films of Dario Argento span the qualities of cinema as a whole. At their worst, his films are eye-glazingly boring. At their best, they resemble dreams manifested on a blank canvas, impossibly complex explorations of sight and sound, plumbing the relationship... Read more

A still from 'Damsel'.

Double Take: 'Damsel' and 'The Great Silence'

It’s common for film writers to note that the Western has waxed and waned in popularity over the course of cinema’s history. While that may be true, the genre contains such a breadth of ideas and archetypes that its malleability allows for it to be remixed and... Read more

Still from 'Jurassic World: Fallen Kingdom'.

Review: 'Jurassic World: Fallen Kingdom'

[Note: This review contains spoilers.]

As genetically engineered as its new super-dino, the Indoraptor, Jurassic World: Fallen Kingdom is designed to trigger specific responses from and ingratiate itself with an increasingly jaded audience... Read more

 A still from 'Hearts Beat Loud'.

Review: 'Hearts Beat Loud'

Nick Offerman has carved out quite the niche over the past decade with variations of the earthy but deadpan Ron Swanson he played on television’s Parks and Recreation (2009-15). He’s cropped up in other works with supporting parts that borrowed Swanson’s... Read more

Review: 'Ocean's 8'

Brian De Palma’s Femme Fatale (2002) opens on the miraculously sleek and labyrinthine heist of a diamond necklace from an actress’ neck at the Cannes Film Festival. It’s a thrilling  meta-movie moment that recalls Jules Dassin’s Rififi (1955) and... Read more

Paul Schrader.

Compendium: Paul Schrader

[Photo: Zenith Entertainment]

There are many versions of Paul Schrader. He’s the screenwriter of Martin Scorsese’s great Taxi Driver (1976), Raging Bull (1980), and The Last Temptation of Christ (1988). He’s also a film academic,... Read more

A still from 'Let the Sunshine In'.

Review: 'Let the Sunshine In'

In Claire Denis’ last film, the director left viewers with the most unsettling images of her career. Her 2013 feature Bastards was a time-hopping narrative of betrayal and murder, culminating in the reveal of an incestual rape. While not exactly a change... Read more

A still from 'The Rider'.

Review: 'The Rider'

Director and writer Chloé Zhao’s film The Rider opens on hypnotic equine images. The camera glides along the tan mane of a horse in slow motion, fading into other closeup images of its snarling mouth, the muscles writhing beneath its thick skin, and... Read more