Where the Pavement Ends


Saturday, Nov. 3 at 2:30pm
Tivoli Theatre

“Where the Pavement Ends” explores the charged relationship between the historically all-black town of Kinloch and its formerly all-white neighbor Ferguson. Kinloch is now essentially a ghost town, emptied of almost all of its residents when the nearby Lambert Airport offered buyouts during its expansion, and it’s become eerily pastoral, an aspect revealed in the fim’s recurrent drives down the abandoned streets. One of those streets, Suburban Avenue, serves as the documentary’s ground zero: Kinloch was essentially fenced off from its white neighbors, and there was an actual blockade on Suburban to prevent convenient access to Ferguson. “Where the Pavement Ends” unpacks the unequal nature of the two communities — and Ferguson’s racist roots — by focusing on the avenue and later implicitly comparing it to Canfield Drive, the street on which Michael Brown was killed in Ferguson. Director Jane Gillooly, herself a Ferguson native, interviews former Kinloch residents — whose words are often heard in voice-over — and makes deft use of recordings and written materials from a federal study on Kinloch/Ferguson from the civil-rights era.

85 min.

Directed by

Jane Gillooly



Film Category

Leon & Mary Strauss Documentary Spotlight Mean Streets: Viewing the Divided City Through the Lens of Film and Television Race in America: The Black Experience Show-Me Cinema Women in Film Spotlight


Class Issues Human Rights Legal Issues
With director Gillooly, SLIFF Charles Guggenheim Cinema St. Louis Award honoree; producers Aparna Agrawal and Khary Saeed Jones; and cinematographer Kamau Bilal.

Sponsored by

Movie Friends of the Ethical Society of St. Louis

Film Website

Official Website

Shown with

Baby Brother

Baby Brother

Kamau Bilal

In this New York Times Op-Doc, the director's brother moves back in with their parents in Columbia, Mo.

14 min.