Joshua Ray

A still from 'Widows'.

Review: 'Widows'

There’s a shot early in director Steve McQueen’s Widows that haphazardly announces the politically subversive nature of this Hollywood-made heist thriller. Following a rally for his program supporting women entrepreneurs of color, Jack Mulligan (Colin... Read more

A still from 'Black Memorabilia'.

SLIFF Spotlight: 'Black Memorabilia'

Throughout the 27th Annual Whitaker St. Louis International Film Festival (SLIFF), the writers at the Lens will be spotlighting their favorite narrative and documentary films on this year's festival schedule. Each day, our critics will discuss can't-miss... Read more

A still from 'Support the Girls'.

SLIFF Spotlight: 'Support the Girls'

Throughout the 27th Annual Whitaker St. Louis International Film Festival (SLIFF), the writers at the Lens will be spotlighting their favorite narrative and documentary films on this year's festival schedule. Each day, our critics will discuss can't-miss... Read more

A still from 'In the Aisles'.

SLIFF Spotlight: 'In the Aisles'

Throughout the 27th Annual Whitaker St. Louis International Film Festival (SLIFF), the writers at the Lens will be spotlighting their favorite narrative and documentary films on this year's festival schedule. Each day, our critics will discuss can't-miss... Read more

A still from 'Zama'.

SLIFF Spotlight: 'Zama'

Throughout the 27th Annual Whitaker St. Louis International Film Festival (SLIFF), the writers at the Lens will be spotlighting their favorite narrative and documentary films on this year's festival schedule. Each day, our critics will discuss can't-miss... Read more

A still from 'The Great Buddha+'.

SLIFF Spotlight: 'The Great Buddha+'

Throughout the 27th Annual Whitaker St. Louis International Film Festival (SLIFF), the writers at the Lens will be spotlighting their favorite narrative and documentary films on this year's festival schedule. Each day, our critics will discuss can't-miss... Read more

A still from 'Memoir of War'.

SLIFF Spotlight: 'Memoir of War'

Throughout the 27th Annual Whitaker St. Louis International Film Festival (SLIFF), the writers at the Lens will be spotlighting their favorite narrative and documentary films on this year's festival schedule. Each day, our critics will discuss can't-miss... Read more

A still from 'Mid90s'.

Double Take: 'The Hate U Give' and 'Mid90s'

There’s lately been a resurgence of films centered on teens, but these features don’t quite resemble either John Hughes’ watershed films of the 1980s or the light comedies and slashers of the late 1990s that used the late director’s work as a templates. The... Read more

A still from 'The Thing'.

Ranked: John Carpenter

In a 1999 Film Comment piece celebrating John Carpenter, the director memorably quipped to Kent Jones: “In France, I'm an auteur; in Germany, a filmmaker; in Britain; a genre film director; and, in the U.S.A., a bum.” After 20 years, it could be said that America... Read more

A still from 'A Star Is Born'.

Review: 'A Star Is Born'

Not long into A Star is Born, it's become apparent that Bradley Cooper will be a real contender as a filmmaker. His visual influences are evident: Martin Scorsese’s gliding and orchestral tracking shots; Terrence Malick’s unencumbered camera with its awe-... Read more

A still from 'The Land of Steady Habits'.

Review: 'The Land of Steady Habits'

The title The Land of Steady Habits may be misleading. It suggests portraiture of a menial but well-meaning life, and to some, it reads as pejorative against a perceived life not lived. For filmmaker Nicole Holfcener’s characters, the idea of this state... Read more

A still from 'The House with a Clock in Its Walls'.

Review: 'The House with a Clock in Its Walls"

Eli Roth’s directing credit follows soon after Steven Spielberg's Amblin Studio logo, and it comes as the first surprise of the YA horror-novel adaptation The House with a Clock in Its Walls. The director’s debut feature, Cabin Fever (2002), is... Read more

A still from 'White Boy Rick'.

Review: 'White Boy Rick'

When Rick Wershe Jr. (Richie Merritt) begins peddling dope on the streets of Detroit, Mich., he’s a mere 15 years old. He’s doing so at the behest of a pair of FBI agents (Jennifer Jason Leigh and Rory Cochrane) and a local cop (Brian Tyree Henry), three officials... Read more

A still from 'Support the Girls'.

Review: 'Support the Girls'

Andrew Bujalski hides his cinematic modus operandi inside a joke during the first act of Support the Girls. Lisa (Regina Hall), the general manager of a Hooters-like “boobs, bros, and beers” bar, Double Whammies, is conspiring with her right-hand... Read more

A still from 'Papillon'.

Review: 'Papillon'

Franklin J. Schaffner’s 1973 film Papillon was mostly a vehicle for its star, the ever-cool Steve McQueen, as well as a cash-in adaptation of the popular memoir of the same name by Henri Charrière. It’s a shaggy hybrid of prison-escape drama and adventure... Read more

A still from 'McQueen'.

Review: 'McQueen'

For those already familiar with the well-publicized life and highly regarded work of Alexander McQueen, there’s nothing revelatory in Ian Bonhôte and Peter Ettedgui’s McQueen. The biographical documentary — that most popular of nonfiction subgenres — ... Read more

Review: 'Don't Worry, He Won't Get Far on Foot'

Gus Van Sant has always been somewhat of an experimental filmmaker, working both in and just outside of Hollywood. He ascended into the ranks of vital indie filmmakers as a member of the New Queer Cinema movement with features like Mala Noche (1986), ... Read more

Ranked: Dario Argento

The films of Dario Argento span the qualities of cinema as a whole. At their worst, his films are eye-glazingly boring. At their best, they resemble dreams manifested on a blank canvas, impossibly complex explorations of sight and sound, plumbing the relationship... Read more

A still from 'Damsel'.

Double Take: 'Damsel' and 'The Great Silence'

It’s common for film writers to note that the Western has waxed and waned in popularity over the course of cinema’s history. While that may be true, the genre contains such a breadth of ideas and archetypes that its malleability allows for it to be remixed and... Read more

Still from 'Jurassic World: Fallen Kingdom'.

Review: 'Jurassic World: Fallen Kingdom'

[Note: This review contains spoilers.]

As genetically engineered as its new super-dino, the Indoraptor, Jurassic World: Fallen Kingdom is designed to trigger specific responses from and ingratiate itself with an increasingly jaded audience... Read more

 A still from 'Hearts Beat Loud'.

Review: 'Hearts Beat Loud'

Nick Offerman has carved out quite the niche over the past decade with variations of the earthy but deadpan Ron Swanson he played on television’s Parks and Recreation (2009-15). He’s cropped up in other works with supporting parts that borrowed Swanson’s... Read more

Review: 'Ocean's 8'

Brian De Palma’s Femme Fatale (2002) opens on the miraculously sleek and labyrinthine heist of a diamond necklace from an actress’ neck at the Cannes Film Festival. It’s a thrilling  meta-movie moment that recalls Jules Dassin’s Rififi (1955) and... Read more

Paul Schrader.

Compendium: Paul Schrader

[Photo: Zenith Entertainment]

There are many versions of Paul Schrader. He’s the screenwriter of Martin Scorsese’s great Taxi Driver (1976), Raging Bull (1980), and The Last Temptation of Christ (1988). He’s also a film academic,... Read more

A still from 'Let the Sunshine In'.

Review: 'Let the Sunshine In'

In Claire Denis’ last film, the director left viewers with the most unsettling images of her career. Her 2013 feature Bastards was a time-hopping narrative of betrayal and murder, culminating in the reveal of an incestual rape. While not exactly a change... Read more

A still from 'The Rider'.

Review: 'The Rider'

Director and writer Chloé Zhao’s film The Rider opens on hypnotic equine images. The camera glides along the tan mane of a horse in slow motion, fading into other closeup images of its snarling mouth, the muscles writhing beneath its thick skin, and... Read more