In “Cachada,” which screened at last year’s SXSW, five El Salvadoran women who have lived difficult lives of poverty and abuse — and have sometimes continued the cycle of abuse themselves — work through their traumas in a small, makeshift theater troupe. A powerful documentary, “Cachada” shies away from nothing: The subjects are brave and honest, and they allow their best and worst selves to show, including a performance about a woman hitting her own children and accounts of their experiences with sexual abuse. But the film’s observational tone resists judgment and allows the women to explore their feelings, talk about their guilt, and come to self-realizations through performance. And not all is dour. The women also reveal good senses of humor, and there is power in seeing them bond to one another as they reveal their darkest secrets, with the participants finding strength through performance. What begins as an experiment eventually turns into an opportunity to transform their lives: The cycle of violence is perverse, but the power of theater proves stronger.
For the retrial of her childhood abuser, Reaksmey is ready to fight back, returning to the homeland where it all happened, now in the midst of a global pandemic.